Royer Labs : SF-24 Royer Labs

Stereo Active Ribbon Microphone
หมายเลขสินค้า : SF-24

ราคา 206,000.00 บาท



เลือกจำนวน :

เลือกสี : Blue

  • Blue
  • Black

  • ฟรี!

    ประกัน 1 ปี

  • ฟรี!

    ปรึกษาด้านเทคนิก


แชร์ไปยัง :

          The SF-24 stereo ribbon microphone is a phantom-powered version of our popular SF-12 stereo ribbon microphone. It combines the SF-12’s high-quality audio performance, outstanding stereo separation, and imaging with our exclusive active electronics system for ribbon microphones. The SF-24’s output of -38 dB is a full 14 dB more sensitive than our non-powered SF-12, putting its sensitivity on par with that of phantom powered condenser microphones. The unique electronics and custom-designed FET’s used in the SF-24 allow for ultra-quiet operation, with self-noise of lower than 18 dB.
 
Recording
         Like the SF-12, the SF-24 is uncanny for creating “you-are-there” stereo recordings that capture not only the instrument being recorded but, depending on how the microphone is positioned, varying degrees of the acoustical space. In addition, the increased sensitivity and impedance matching circuitry allows for more consistent results in a variety of recording situations and with a wider selection of mic pre’s.
 
        For mono recording, phase compatibility between the two sides of the SF-24 is excellent. This allows you to combine the two channels perfectly in mono without creating undesirable phase artifacts. This is particularly useful when capturing a wide sound field in mono; for instance, a singer who tends to move off the “sweet spot” of a mono microphone. Either side of the SF-24 can also be used individually as a mono microphone.
 
       The SF-24 excels on classical piano, drum overheads, ensemble and orchestral recordings, a wide variety of percussion instruments, virtually all acoustic instruments, small vocal ensembles, large choirs, etc.
 
Recording in Mono 
       Phase compatibility between the two sides of the SF-24 is excellent, allowing you to combine the two channels for mono recording without creating phase artifacts. This is particularly useful when capturing a wide sound field in mono; for instance, a singer who tends to move off the “sweet spot” of a mono microphone. Either side of the SF-24 can also be used individually as a mono microphone.
 
Features
  • Phantom powered circuitry provides high output and impedance matching
  • True stereophonic (Blumlein and M-S) recording from one microphone
  • High SPL capabilities
  • No distortion up to maximum SPL rating<
  • Extremely low residual noise
  • Ribbon elements are not affected by heat or humidity
  • Absence of high frequency phase distortion
  • Equal sensitivity from front or back of elements
  • Consistent frequency response regardless of distance
  • High efficiency, matching toroidal transformers
  • Very low magnetic leakage

Specifications
  • Acoustic Operating Principle : Electrodynamic pressure gradient with active electronics
  • Polar Pattern : Crossed figure-8's
  • Generating Element : 1.8-micron aluminum ribbon
  • Frequency Response : 40-15,000 Hz +/- 2dB
  • Sensitivity : -38 dB (re. 1v/pa +/-1dB)
  • Self-Noise : < 18 dB
  • Output Impedance : 200 Ohms
  • Rated Load Impedance : 1K-Ohm
  • Maximum SPL : >130dB
  • Output Connector : Male XLR 5 pin (stereo*)
  • Power Requirements : 48-Volt Phantom Only
  • Supply Current : 4 mA per channel
  • Dimensions : 270mm X 39mm (base) X 25mm (top) (10 5/8" X 1.5" X 1")
  • Weight : 583 grams (20.5 oz)
  • Finish : Optical Black, 18K Gold (optional)

ไม่พบข้อมูล